.

MINILOGUE

six arms and one leg



Title | ANIMALS
Media | CD
Label | COCOON RECORDING / D
Style | TECH / TRANCE / RAVE
Released | JULY 2008

BIO
Lovers of electronic music have been raving about Minilogue for many years.
In 2008 it is almost impossible to imagine club music without the two musicians from Malm欠Sweden. Nowadays, electronic producers tend to retreat into their special stylistic niche - Minilogue dare to draw the bigger picture.
After releasing outstanding productions on such renowned labels as Traum, Crosstown Rebels and Wagon Repair, their opus magnum is to appear on Sven V嵨s Cocoon Recordings. There are few producers who match Cocoon's vision of an electronic sound both on the dancefloor and beyond the club so perfectly:
"Animals" covers a wide spectrum of music, it reaches from peaktime techno to beatless deep ambient. The full range of Minilogue's vision of electronic music is developed on a double CD, while the vinyl version naturally focuses on the dance tracks. The immediacy of the club tracks sweeps everything away that is circumstantial and long-winded in contemporary dance music. The tracks incorporate the elegance and simplicity of classical early Nineties' techno, the economy and lightness of the minimal sound and the sweetness and charm of the recent developments. "Animals" is not a collection of single tracks but a journey that is supposed be listened to from beginning to end and is mixed in a seamless flow.
Sebastian Mullaert and Marcus Henriksson emerged from opposing backgrounds. In his youth Sebastian played a range of classical instruments, he even worked as a violin teacher in his teens. At 18 he discovered contemporary music and joined a band.
Marcus used to be a fan of Front 242 and Kraftwerk, he was ravished by the repetitive beats of techno when the music exploded in the nineties. He started to organize parties of his own and became a well known DJ in southern Sweden.
When Sebastian and Marcus met at a party, there was an immediate connection. With Sebastian's formal knowledge and Marcus experience with club music the two fitted together like a lock and its matching key. As Son Kite and Trimatic they became very successful in the trance scene, playing enthusiastically received live sets all over the world. With Minilogue they leave the boundaries of that genre - and actually of any genre. After having risen to the A-List of electronic producers, they still reside in the tiny city of Malm殠As boys from the countryside they enjoy the easy and humble life of a small town. At the same time Malm桨as always been very important for the underground dance music scene of Sweden.
Since techno and house have exploded in this country, Stockholm tends to ride the hypes and trends, while Malm桩s fighting for the deeper and more minimal side of the music. That is why Sebastian and Marcus still feel strongly and passionate about Malm桡s their musical home. Minilogue have always been very interested in the visual aspect of their art, it is natural for them to create a visual image as well as an audible one.
For many years they have thought of animals as the front for Minilogue. These animals do not actually exist as pets. They are mystic, imaginary creatures, merged together from different species. They function as symbols for Minilogue's approach to electronic music as a mix of different genres and styles.
The production of the album was a notable effort: It took Marcus and Sebastian three years until they were entirely happy with every bit of "Animals". In order to create something timeless, they quit working on the tracks from time to time and returned with virgin ears. The result couldn't be more striking: The dance tracks remain powerful and humble, the ambient tracks are subtle and bold at the same time. Minilogue's music is emotional but not moody.
While contemporary electronic producers tend to get lost in layers of sounds and reverb, "Animals" is spring-loaded and nimble. Tracks so humble, effective and elegant they stream unremittingly into the listeners ears.
The music stretches out towards the horizon in a gesture of unmitigated desire: a desire for wideness, a desire for sound, a desire for the elementary beauty of techno.

SOURCE: soulseduction

GUSTAV



Title | VERLASS DIE STADT
Media | CD
Label | CHICKS ON SPEED RECORDS / D
Style | ELECTRO
Released | MAY '08

BIO

(ver fim do post)


total quality woman





Verlass die Stadt



Sie haben die Straßen
Auf Sprengstoff gebaut
Die Kanäle geflutet, den Abfluss gestaut
Die Luft längst vermengt
Mit astreinem Asbest
Und Beton dort gestreut
Wo das Gras nicht mehr wächst
Manche Gegenden der Stadt
Wurden gänzlich abgetrennt
Da kommt kein Auto mehr hin
Da fährt die Tram nicht mehr hin
Da in recht regelmässigen Intervallen
Menschen auf den Asphalt knallen

Bevor die Glut in dir erlischt
Verlass die Stadt
Die keine ist
Ein neuer Wundbrand in Athen
S'ist an der Zeit endlich zu gehn

Was uns abdrängt von dem Weg
Der da noch vor uns liegt
Ist das abgestandne Gas
Das noch immer durch uns fließt
Es ist Sommer in Wien
Und nicht Stalingrad, sagt er
Ich weiss, sag ich,
Und trotzdem ist mir kalt

Nur eine Frage der Zeit
Bis der nächste Stadtteil brennt
Seine-Saint-Denis scheint abgespannt
Doch eingedämmt
Mach die Augen zu und wünsch mich
Ins Zentrum der Leidenschaft zurück
Und plötzlich liegt was auf der Hand
Das sie zum Zittern bringt
Die Seele brennt
Genau wie all der Orte Straßen
Es ist Zeit diese Stadt zu verlassen

Bevor die Glut in dir erlischt
Verlass die Stadt
Die keine ist
Ein neuer Wundbrand in Athen
Ist an der Zeit endlich zu gehn
Nimm meine Hand
Und führ mich weg
Aus meiner Stadt
An jenen Ort
Der mich vermisst
Dort führ mich hin
Nimm meine Hand
Und bleib nicht stehn


BIO
Besides her artistic work Eva Jantschitsch was co-founding the musical formations Metrosau,
Motorsau and Songs of Suspects. Since the end of 2002 she focusses on her solo-projekt Gustav.

Like all previous Mosz releases "Rettet die Wale" [mosz005] is an artist's
first album. Behind the name 'Gustav' hides a female musician with mainly a Fine Arts background.
Though the "Rettet die Wale" is quite the opposite of Metalycée's
"Another White Album" [mosz004] it can also be considered a pop album in a wider sense.
Each piece on this CD is electronically based, but structured like a classic
popsong. They are put into perspective by the fragile voice of Gustav herself.
The title of the CD might seem kitschy and concerned but in fact Gustav wittily uses both, political facts and poetic elements.
In a way all the tracks contain more or less serious lyrics - basically German and English - but they are composed with a good sense of humour.

The long awaited second album of the Viennese extraordinary artist Gustav aka Eva Jantschitsch is finished!

For many people Gustav's critically acclaimed debut "Rettet die Wale ( save the whales ) was nothing more than rescuing the whole protest song genre. Besides the media artist and laptop-songwriter Gustav all of a sudden has become a new icon of the feminist music-scene and - concerning the movement of alter-globalization - the conscience of her generation. In 2005 Gustav wins the prize of the Austrian Music Industry called Amadeus Award. At the peak of her success she consequently avoids further public appearances as a solo artist and concentrates on remittance work and a bunch of other quite different side projects, recently the queer burlesque theatre piece Orlanding The Dominant.

The cross-gender alias Gustav represents a political thinking and basically media critical artist. The music sounds extremely ambivalent: catchy pop songs enter geeky la la laptop land and get infiltrated with some subversive aesthetic & political strategies: reinterpretation, exaggeration, ambiguity. All double layered by Gustavs unique voice.

Gustav thinks that her new album Verlass die Stadt has gotten darker - politically and emotionally - than her debut. But thats exactly what you dont recognize in the first time. What makes the earnest of her music so comfortable is an easiness which comes together with a great sense of humour. Gustavs imagination combined with her pue nonchalance is simply amazing and leaves anybody in astonishment. Her songs are like musical roller coaster rides through all kind of possible and impossible genres: experimental laptop sound, but also traditional Austrian brass music, Schlager as well as Sicilian mandolins. Gustav plays with all the cliché and extravagance of each different style - and leads the listener often to the garden path/leaves the listener in confusion. Theres an enormous gap between the cozy appeal of her music and the topics of the songs. Cause: the situation is definitely serious and theres really NO reason to tell anybody: all clear. Cause it isnt. Not at all.

Behind Gustav, Eva Jantschitsch lives and works in Vienna as an artist. She composes music for theater, movies and iPods. Gustav produces songs on the laptop, plays all kinds of instruments and "sings with the sort of inimitable power you cannot muster up any resistance to". With an origin in Vienna, Gustav's tunes are in various languages, sometimes English, sometimes French, sometimes German - " but the appeal ist completely universelle".


SOURCE: soulseduction



QUIET VILLAGE

victoria's secret

QUIET VILLAGE



Title | SILENT MOVIE
Media | CD
Label | !K7 / GB
Style | NUJAZZ / GROOVE
Released | APR '08

BIO


After three sought-after singles for the Whatever We Want label-plus remixes for the likes of Gorillaz, François K, Cosmo Vitelli and, um, The Osmonds -
Quiet Village step out of the shadows to present their first full-length album, Silent Movie. Comprised of master crate-digger Joel Martin and rising dance-music star Matt Edwards (aka Radio Slave), and borrowing their name from Martin Denny's exotica masterpiece, Quiet Village make the old sound new (and vice versa). Influenced by Italian film soundtracks, BBC library music, disco edits, acid rock, vintage soul and easy listening, they smear the unlikeliest elements - bluesy guitar, chamber strings, air-raid sirens, shuffling breakbeats, even flutes and seagull cries - into an hour-long reverie with Vaseline on its lens.

source: soulseduction

ROBERT STRAUSS



Title | MR. FEELINGS
Media | CD
Label | BBE RECORDS / GB
Style | HOUSE
Released | OCT '07

BIO


Multi-instrumentalist, vocalist, producer, arranger, and songwriter Robert Strauss follows his critically acclaimed debut album 'Quasars and Phasars' (Freerange records, 2005) with 'Mr Feelings': a timeless piece of intense soul music inspired by the golden age of disco boogie and glitter ball extravaganza. Here we use the adjective 'inspired' tentatively, for Mr Strauss' main strength is to produce luscious synth-fuelled groovers which would not be out of place in a 1980's underground record shop, yet still have a decidedly contemporary feel to them. You really have to listen to 'Mr Feelings' to believe it.

Support from music industry's luminaries is deep and wide: Jazzanova, Joey Negro, Spiritual South and Yam Who? to name but a few have all expressed their full appreciation for the music of Robert Strauss, yet there can be no greater accolade for a musician trying to recreate and build on the more elegant sounds to come out of the 80's than the involvement of the man himself: Leroy Burgess. For 'Mr Feelings', Leroy Burgess comes out of the woodwork to not only lend his vocal talent to 'Hot like an Oven', but also to feature in Robert Strauss' band tour later this year.

This album has all the hallmarks of a future classic, and it makes BBE immensely proud to be part of the project. It will be supported by a full radio & press campaign, limited editon 12 " singles & tour.


source: soulseduction

COBBLESTONE JAZZ




Title | 23 SECONDS
Media | 2XCD
Label | !K7 RECORDS / D
Style | HOUSE
Released | NOV '07

BIO

The unique trio Cobblestone Jazz use early computers and analogue instruments to create pared down sounds that retain the quality of improvisational jazz but with a techno dancefloor aesthetic. Through a real-time exchange of musical form, language, and ideas, Tyger Dhula, Mathew Jonson and Danuel Tate provide a continual sense of excitement and discovery for their audience.
All members of Cobblestone Jazz are successful musicians and producers in their own right, and the influence of each individual contributes greatly to the international success of the group.
Tyger Dhula's history as a DJ and producer of electronic music provides the stylistic platform for the groups improvisations with his ability to break grooves up into their key elements, holding the music firmly within the electronic music tradition. Mathew Jonson brings a fervent commitment to pushing his music in new directions, as well as the gifted ability to mix and compose freely. Using analogue drum machines and synthesizers as his instruments of choice, Mat chooses to write and record his contributions in the moment, as opposed to settling for pre-configured patterns. Danuel Tate is the jazz musician and performer who prompted this approach to the group's writing practices. His keyboard playing shows a rich understanding of modern harmony and melody, but, like many great artists, his dedication to simplicity is what holds him in such high regard.
Cobblestone have received critical acclaim since their 2002 debut release on underground label ItIsWhatItIs, with support coming from artists in all walks of electronic music; from Gilles Peterson and Theo Parish to Daniel Bell and Richie Hawtin. The last few years have seen them perform every- where from fabric in London and Panorama Bar in Berlin to Mutek in Montreal and the Montreaux Jazz Festival in Switzerland. As a representation and celebration of how they make music, a Cobblestone Jazz performance showcases the musical outfit as a pragmatic and responsive unit, a living and breathing creation free of formulaic sequence, and offering one captivating perspective on the future of electronic music itself. '23 Seconds' is their debut album.
Title track '23 Seconds' sees the band doing 'what they do best'. The skippy and swinging 101 is joined by the rhodes and vocoder to give it a really light and lazy feel, later permeated by a bubbling and loopy melody. 'Slap The Back' demonstrates the roots of classic Cobblestone. Free flowing interplay between the 101 and Rhodes synth is the main theme for this tune, and a beautiful solo from Danuel. 'PBD' is a slice of classic Detroit techno; no frills, no gimmicks. It's burly bassline keeps things low to the ground while the oscillating pads reach for the sky. On 'Hired Touch' scurrying movement amongst the Rhodes progression and a no nonsense bassline bring life to a landscape coloured with washes of synth. Conflicting melodies bicker into a howled climax, the intensity subsiding, unresolved.
'Lime In Da Coconut' is a potion brimming with transformation, reworked here exclusively for the vinyl album. They approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. 'Change Your Apesuit' is the deepest album cut, kicking off with a subdued bassline and half-time shimmering percussion. The beautiful yet morose vocoder melody and rhythm rhodes are joined halfway by a sweeping rhodes line to set the cinematic tone for the second half of the piece. On 'Saturday Night' a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a Saturday night.
'W' is currently riding roughshod across the worlds finest dancefloors thanks to it's appearance on the latest Cocoon compilation and here edited for the album. It's perhaps the most uncharacteristic of the tunes on the album, drawing its influences from early trance. 'What You Want' is a new track, recorded exclusively for the vinyl album. It was improvised and recorded live at UAF festival in Wiesen, Austria and ably demonstrates what this trio can create on the fly. Finally 'Waiting Room' paints a vast and unfamiliar landscape, sparsely populated with nebulous synth chords, beckoning vocoder traces and twin-peaked lounge tones. This LP version is also exclusive to the vinyl release.

SOURCE: SOULSEDUCTION

NATALIE GARDINER > Slowly Softly



Title | CALIFORNIA
Media | CD
Label | RAMJAC / GB
Style | SOUL / FUNK / DANCE
Released | NOV '07


BIO

This is Natalie Gardiner! This is California, her second album. The follow up to her 2004 underground success debutalbum. On this album Natalie continues to explore the deeper side of soul. A new set of songs that are heavily influenced by the great singer/songwriters era of the 70s, but at the same time it continues to break new ground in the elctronic landscape that have always been her stomping ground. It's a personal album of a sort that is rare to find today. An album filled with personal songs, high fueled beats and Natalies trademark vocal style. It's simply a Natalie Gardiner album.
Born in Uppsala, Sweden, with a father from Ghana and a Swedish mother Natalie's passion for singing and song writing began in an early age. Raised on her mothers large collection of jazz, soul and funk records Natalie soon started to sing in local jazz bands. In 1998 Natalie moved to Stockholm, the capital of Sweden. After a few years of working with different bands and producers she finally started to work with producer RMJC, who had just recently started the label Ramjac. In 2004 her critically acclaimed self titled debut album was released.
After the success of her debut album Natalie's been a sought after name among many of Europe's top producers and DJ on the NuJazz / Soul scene. Examples of this is her excellent collaborations with Dutch producing ace Gerd and Finnish meastro Dj Slow.
In 2006 Natalie reunited with producer RMJC on two tracks on his album Transfusions. More electronic than ever and at the same time more organic than ever. The two tracks definitely left us who love the sound of Natalie Gardiners soothing voice wanting more.
Work on what was to become Natalie Gardiner second album, California started summer 2006.
Together with producer RMJC Natalie has once again created magic in the studio. Filling the songs with the musical talents of Goran Kajfes, Per Ruskträsk Johansson, Thobias Gabrielson, Jeppe Körsbär, Måns Block and Christer Karlsson. The album has an organic flavor to it that mixes perfectly with the sparkling beats of RMJC. And just like the sun that sets in the desert, California paints a picture with a million colors.

source: soul seduction


JUST BANKS & K-SUN > Bust a move


Title | BUST A MOVE
Media | EP - Vinil
Style | Electro

Released | Nov '07


BIO

Just Banks aka Joko13 lives and works in Linz/Austria.

He began his musical career in 1994 by founding a local Hip Hop project. Later on he started DJing and took the road from Drum´n´Bass to Techno, House and Breakbeats.

By having a fancy for many different genres and playing nationwide gigs Just Banks rapidly gathered experience and his sets are now like a sure shot for the demanding party crowd.

In 2004 he launched the netlabel Comatronic which soon gained a high reputation in the netaudio community and minimal techno scene.

With his productions and dj sets being caught in a crossfire of influences, they always represent a well selected and party-approved blend of different styles, tempos and grooves.

Just Banks is a long-time musical companion of Marcus Füreder aka Parov Stelar and in 2006 he engaged the talents of the San Francisco based duo Blaktroniks, who came up with the catchy vocals for his first release on Etage Noir entitled 360 Degrees.

At the moment he is working on his first longplayer for Etage Noir that will be out in early 2008. Before that, two brand new vinyl singles will hit the stores, one of which is a wicked uptempo party funk breaker called "Bust A Move" (featuring K-Sun aka MC Kemo from the Evocators!). The 12" will be released November 2007.


Source: JB website


KUTIMAN > Chase



KUTIMAN
CD released : OCT '07

BIO

Ophir "Kutiman" Kutiel is a newcomer from Tel Aviv. The afro beat anthem "No Groove Where I Come From" caught the attention of MPM and people like Gilles Peterson or Diplo. His first album is just phenomenal music touching afro beat, west indian grooves, psychedelic funk and soul.

Ophir "Kutiman" Kutiel is a 25 year old musician, composer and producer from Tel Aviv. He plays drums, keyboards, guitar and bass. His music draws influences from afro beat, psychedelic rock, funk and reggae but in different way than most disciples of Fela and Mr. Brown have done before him. Clever heads may even spot some Special AKA, Chocolate Watchband or the pre-historic drum-machine Sly Stone introduced on "There's A Riot Goin' On".

Believe it or not, it was only five years ago, that Kutiman was introduced to the music of Fela Kuti and James Brown, through his friend and now musical partner DJ Sabbo.

"The fact that Sabbo introduced me to the amazing world of funk and afrobeat simply changed my life" says Kuti, who today is an integral part of the small but growing groove scene in Tel Aviv. Music-fans may have heard about the local rave scene but most people think about the Middle East conflict and the pain and suffering that it brings to the lifes of all people living in the region, when they think of Israel's second biggest city. Kutiman's first single "No Groove Where I Come From" with Elran Dekel on vocals was his comment on being a musician in Tel Aviv. "There are some great and gifted musicians in Tel Aviv, but the scene is so small we could all meet up in my room" he explains.

The reactions on "No Groove Where I Come From" were simply phenomenal. Tastemakers like Gilles Peterson, Diplo and Roskow (Jazzanova) were instantly hooked, the Parisien afrobeat community welcomed Kutiman with open arms and and "Straight No Chaser" magazine dubbed him "Psychedelic space funk architect". But once you listen to Kutiman's whole album, you realise that afrobeat is only one shade of Kuti's kaleidoscopic sound. From Westindian grooves and easy listening to rock and soul and even pop there are no barriers.

Elran Dekel (lead singer of Funk'n'stein), Karolina (Funset) and Chaka Moon are sharing vocal duties, Dotan "Sangit" Segal and Idan K are playing percussions and the whole Funk'n'stein brass section (Shlomi Alon, Yair Slutzki, Sefi Zisling) is featured too. And it was Kuti's longtime friend and production partner in various other projects, Ronen Sabbo, who helped mixing the album.

Source: KUTIMAN website